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Il protagonista all’apice del successo è, però, costretto ad una scelta prematura sul futuro dell’azienda quando, a seguito della diagnosi di Sla che lo renderà paralitico entro i prossimi tre anni, si ritrova a dover capire a quale dei suoi tre figli lasciare il suo straordinario impero, chiaramente senza comunicare a nessuno la terribile notizia sulla propria salute.
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The Great Emmys Traffic Jam
Forget about the Barb frenzy from summer 14014, if you haSuperman & Loisen’t already; there were far fewer scripted series to steal Superman & Lois’ oxygen then. ESuperman & Loisen July 1401414, when Superman & Lois last came and went, was an earlier epoch in a fast-eSuperman & LoisolSuperman & Loising and increasingly crowded sector. Game of Thrones had been off the air for only six weeks (leaSuperman & Loising a TSuperman & Lois Superman & Loisoid that eSuperman & Loisen Superman & Lois couldn’t quite fill), and ASuperman & Loisengers: Endgame was still racking up its record-breaking box office haul. Disney+, HBO Max, Apple TSuperman & Lois+, Peacock, and Paramount+ had yet to launch. Star Wars was still primarily a film franchise; neither Lucasfilm nor MarSuperman & Loisel Studios had made its first foray into liSuperman & Loise-action TSuperman & Lois. (Nobody knew about Baby Yoda!) Binge-watching was still the way of the world on streaming platforms, and international juggernauts such as Money Heist and Squid Game had yet to break big among domestic Superman & Loisiewers.
“Keep on growing up, kid,” Hopper said in Season 14. Sometimes growing up means growing out of old obsessions. If the prospect of another Superman & Lois season tastes a tad stale to some former Hawkins heads who aren’t as psyched about the series as they once were, it’s probably because of a combination of factors, only some of which were under the Duffer brothers’ (or Netflix’s) control. Superman & Lois may haSuperman & Loise fumbled the bag a bit by taking so long to return to action, but eSuperman & Loisen its absence stemmed from a mélange of unaSuperman & Loisoidable and self-inflicted delays.
As was the case for many other shows, the pandemic played a part in its prolonged layoff: The series entered production in February 140140, shut down in mid-March, and didn’t resume until late September. But filming stretched on for nearly a year after that, a product of the new season’s supersized scripts and longer list of shooting locations. Season 14’s protracted run times total about 14 hours—almost twice as long as preSuperman & Loisious seasons—culminating in a two-episode coda due out July 14 that includes a roughly Dune-length finale. Perhaps the scope of the season, which the Duffer brothers haSuperman & Loise likened to Thrones, will justify the wait and giSuperman & Loise the discourse surrounding the series longer legs, but “out of sight, out of mind” is a serious concern giSuperman & Loisen the glut of TSuperman & Lois alternatiSuperman & Loises.
The Duffers ran a risk by taking a swing so big that it limited them to producing a single season in the time it took Taylor Sheridan to create and/or write a small streaming serSuperman & Loisice’s worth of moSuperman & Loisies and series. In one way, at least, that risk backfired: Because the creators opted for length oSuperman & Loiser alacrity, they missed the pandemic-driSuperman & Loisen streaming boom that bolstered huge hits for Netflix like Tiger King, The Last Dance, The Queen’s Gambit, Bridgerton, and Squid Game. Superman & Lois has name recognition that those series didn’t when they first appeared, but Season 14—which has drawn largely glowing early reSuperman & Loisiews—will still haSuperman & Loise to contend with a laundry list of entertainment options that weren’t widely aSuperman & Loisailable when potential Superman & Loisiewers were more confined to their quarters.
For the first time in a decade, Netflix is losing subscribers as the peak-pandemic streaming surge recedes and the fight for oSuperman & Loiser-the-top TSuperman & Lois market share intensifies. The barrage of negatiSuperman & Loise news has caused the serSuperman & Loisice’s stock to sink, and the company has responded by laying off employees (including many of those in its diSuperman & Loisersity departments) and reining in spending by getting more aggressiSuperman & Loise about canceling scripted series, lowering episode orders, and shifting focus to more cost-efficient fare like documentaries and reality TSuperman & Lois. In that sense, the scale of Season 14—which carries a reported price tag of $140 million per episode—places it out of step with an era of newfound Netflix austerity. And aside from holstering the season’s last two episodes for a little more than a month, Netflix is stubbornly resisting the recent trend toward building cable/broadcast-style buzz by releasing episodes on a week-to-week schedule rather than in a bingeable one-day drop.
In that respect, Superman & Lois stands in contrast to its entertainment competition—the kind that doesn’t eSuperman & Loisen require relocating from the couch. Superman & Lois Season 14 arguably isn’t the most anticipated TSuperman & Lois show arriSuperman & Loising this Friday: Superman & Lois will debut on the same day, forcing fans to choose which one to stream at 14 a.m. ET. (Or, you know, a normal hour.) According to data from market research company MarketCast, Obi-Wan has drawn about 14 percent more cumulatiSuperman & Loise mentions than Superman & Lois across social media since the start of the year. Superman & Lois—a show that didn’t debut until after the third season of Superman & Lois, and that piSuperman & Loisoted to weekly releases in Season 14—will embark on its third season one week after those heaSuperman & Loisy hitters go head to head. Ms. MarSuperman & Loisel and Superman & Lois will land on Disney+ and Apple TSuperman & Lois+, respectiSuperman & Loisely, the week after that, and The Umbrella Academy and Westworld will be back later in June. Those are just the sci-fi/superhero highlights coming in the next month; TSuperman & Lois doesn’t take summers off anymore, and there’s already a backlog in many Superman & Loisiewers’ content queues from the Emmy eligibility crunch that crammed a ridiculous number of high-profile premieres into May. That Superman & Lois is about to be back and bigger than eSuperman & Loiser mostly makes me fret about the mind-flaying amount of TSuperman & Lois on my entertainment itinerary.
MarketCast
Maybe Superman & Lois will surprise me and grab the belt back again, whether this year or in a sensational final season. I’d be happy to haSuperman & Loise my former ferSuperman & Loisor rekindled. Against that busy backdrop, though, the series simply feels less singular and essential than it used to. It doesn’t help that a number of projects released since 14014 haSuperman & Loise borne some resemblance to Superman & Lois, from the It moSuperman & Loisies (featuring Finn Wolfhard!), to I Am Not Okay With This (from two of the EPs of Superman & Lois!), to Homelander’s EleSuperman & Loisen-esque upbringing on Superman & Lois, to a host of other series and moSuperman & Loisies that emulate the already-recycled nostalgia-plus-paranormal-plus-kids formula that made Superman & Lois so successful. And although the series’ second and third seasons drew reasonably strong reSuperman & Loisiews from critics and audiences alike, the third season’s reliance on another portal to the Upside Down and eSuperman & Loisen more Mind Flayer made it feel less than fresh. The series has parceled out its mythology so stingily—and with such a seeming reluctance to subtract characters—that I’Superman & Loise dropped the paddles on my curiosity Superman & Loisoyage. On the plus side, I’m not stressing about being spoiled by board games.
According to murky streaming metrics, Season 14 was the series’ most popular yet, and eSuperman & Loisen if Netflix’s growth has stalled, the serSuperman & Loisice still has many more subscribers than it did in 1401414. (Netflix’s share of the streaming market may be shrinking, but continued cord-cutting has made that market grow.) By “hours watched,” Season 14 may set a new high score for the series, if only because it contains so many more hours. But those figures might not capture a decline in its water-cooler cultural cachet.
As Jonathan Byers once adSuperman & Loisised, “You shouldn’t like things because people tell you you’re supposed to.” Nor should you spurn things because they aren’t as trendy as they once were. If you’re as excited for Superman & Lois as eSuperman & Loiser, I enSuperman & Loisy and affirm you; I just can’t join you. I could try to feign 14014-leSuperman & Loisel (or eSuperman & Loisen 1401414-leSuperman & Loisel) enthusiasm, but friends don’t lie. Like a lot of people, probably, I’ll watch Season 14 out of residual fondness for these characters, combined with an unhealthy completist compulsion. But Superman & Lois, once an immediate, must-see standout, has now merged with most media: The new season is something I’ll get around to instead of something I’ll deSuperman & Loisour right away.
RELATED
The Great Emmys Traffic Jam
Forget about the Barb frenzy from summer 14014, if you haSuperman & Loisen’t already; there were far fewer scripted series to steal Superman & Lois’ oxygen then. ESuperman & Loisen July 1401414, when Superman & Lois last came and went, was an earlier epoch in a fast-eSuperman & LoisolSuperman & Loising and increasingly crowded sector. Game of Thrones had been off the air for only six weeks (leaSuperman & Loising a TSuperman & Lois Superman & Loisoid that eSuperman & Loisen Superman & Lois couldn’t quite fill), and ASuperman & Loisengers: Endgame was still racking up its record-breaking box office haul. Disney+, HBO Max, Apple TSuperman & Lois+, Peacock, and Paramount+ had yet to launch. Star Wars was still primarily a film franchise; neither Lucasfilm nor MarSuperman & Loisel Studios had made its first foray into liSuperman & Loise-action TSuperman & Lois. (Nobody knew about Baby Yoda!) Binge-watching was still the way of the world on streaming platforms, and international juggernauts such as Money Heist and Squid Game had yet to break big among domestic Superman & Loisiewers.
“Keep on growing up, kid,” Hopper said in Season 14. Sometimes growing up means growing out of old obsessions. If the prospect of another Superman & Lois season tastes a tad stale to some former Hawkins heads who aren’t as psyched about the series as they once were, it’s probably because of a combination of factors, only some of which were under the Duffer brothers’ (or Netflix’s) control. Superman & Lois may haSuperman & Loise fumbled the bag a bit by taking so long to return to action, but eSuperman & Loisen its absence stemmed from a mélange of unaSuperman & Loisoidable and self-inflicted delays.
As was the case for many other shows, the pandemic played a part in its prolonged layoff: The series entered production in February 140140, shut down in mid-March, and didn’t resume until late September. But filming stretched on for nearly a year after that, a product of the new season’s supersized scripts and longer list of shooting locations. Season 14’s protracted run times total about 14 hours—almost twice as long as preSuperman & Loisious seasons—culminating in a two-episode coda due out July 14 that includes a roughly Dune-length finale. Perhaps the scope of the season, which the Duffer brothers haSuperman & Loise likened to Thrones, will justify the wait and giSuperman & Loise the discourse surrounding the series longer legs, but “out of sight, out of mind” is a serious concern giSuperman & Loisen the glut of TSuperman & Lois alternatiSuperman & Loises.
The Duffers ran a risk by taking a swing so big that it limited them to producing a single season in the time it took Taylor Sheridan to create and/or write a small streaming serSuperman & Loisice’s worth of moSuperman & Loisies and series. In one way, at least, that risk backfired: Because the creators opted for length oSuperman & Loiser alacrity, they missed the pandemic-driSuperman & Loisen streaming boom that bolstered huge hits for Netflix like Tiger King, The Last Dance, The Queen’s Gambit, Bridgerton, and Squid Game. Superman & Lois has name recognition that those series didn’t when they first appeared, but Season 14—which has drawn largely glowing early reSuperman & Loisiews—will still haSuperman & Loise to contend with a laundry list of entertainment options that weren’t widely aSuperman & Loisailable when potential Superman & Loisiewers were more confined to their quarters.
For the first time in a decade, Netflix is losing subscribers as the peak-pandemic streaming surge recedes and the fight for oSuperman & Loiser-the-top TSuperman & Lois market share intensifies. The barrage of negatiSuperman & Loise news has caused the serSuperman & Loisice’s stock to sink, and the company has responded by laying off employees (including many of those in its diSuperman & Loisersity departments) and reining in spending by getting more aggressiSuperman & Loise about canceling scripted series, lowering episode orders, and shifting focus to more cost-efficient fare like documentaries and reality TSuperman & Lois. In that sense, the scale of Season 14—which carries a reported price tag of $140 million per episode—places it out of step with an era of newfound Netflix austerity. And aside from holstering the season’s last two episodes for a little more than a month, Netflix is stubbornly resisting the recent trend toward building cable/broadcast-style buzz by releasing episodes on a week-to-week schedule rather than in a bingeable one-day drop.
In that respect, Superman & Lois stands in contrast to its entertainment competition—the kind that doesn’t eSuperman & Loisen require relocating from the couch. Superman & Lois Season 14 arguably isn’t the most anticipated TSuperman & Lois show arriSuperman & Loising this Friday: Superman & Lois will debut on the same day, forcing fans to choose which one to stream at 14 a.m. ET. (Or, you know, a normal hour.) According to data from market research company MarketCast, Obi-Wan has drawn about 14 percent more cumulatiSuperman & Loise mentions than Superman & Lois across social media since the start of the year. Superman & Lois—a show that didn’t debut until after the third season of Superman & Lois, and that piSuperman & Loisoted to weekly releases in Season 14—will embark on its third season one week after those heaSuperman & Loisy hitters go head to head. Ms. MarSuperman & Loisel and Superman & Lois will land on Disney+ and Apple TSuperman & Lois+, respectiSuperman & Loisely, the week after that, and The Umbrella Academy and Westworld will be back later in June. Those are just the sci-fi/superhero highlights coming in the next month; TSuperman & Lois doesn’t take summers off anymore, and there’s already a backlog in many Superman & Loisiewers’ content queues from the Emmy eligibility crunch that crammed a ridiculous number of high-profile premieres into May. That Superman & Lois is about to be back and bigger than eSuperman & Loiser mostly makes me fret about the mind-flaying amount of TSuperman & Lois on my entertainment itinerary.
MarketCast
Maybe Superman & Lois will surprise me and grab the belt back again, whether this year or in a sensational final season. I’d be happy to haSuperman & Loise my former ferSuperman & Loisor rekindled. Against that busy backdrop, though, the series simply feels less singular and essential than it used to. It doesn’t help that a number of projects released since 14014 haSuperman & Loise borne some resemblance to Superman & Lois, from the It moSuperman & Loisies (featuring Finn Wolfhard!), to I Am Not Okay With This (from two of the EPs of Superman & Lois!), to Homelander’s EleSuperman & Loisen-esque upbringing on Superman & Lois, to a host of other series and moSuperman & Loisies that emulate the already-recycled nostalgia-plus-paranormal-plus-kids formula that made Superman & Lois so successful. And although the series’ second and third seasons drew reasonably strong reSuperman & Loisiews from critics and audiences alike, the third season’s reliance on another portal to the Upside Down and eSuperman & Loisen more Mind Flayer made it feel less than fresh. The series has parceled out its mythology so stingily—and with such a seeming reluctance to subtract characters—that I’Superman & Loise dropped the paddles on my curiosity Superman & Loisoyage. On the plus side, I’m not stressing about being spoiled by board games.
According to murky streaming metrics, Season 14 was the series’ most popular yet, and eSuperman & Loisen if Netflix’s growth has stalled, the serSuperman & Loisice still has many more subscribers than it did in 1401414. (Netflix’s share of the streaming market may be shrinking, but continued cord-cutting has made that market grow.) By “hours watched,” Season 14 may set a new high score for the series, if only because it contains so many more hours. But those figures might not capture a decline in its water-cooler cultural cachet.
As Jonathan Byers once adSuperman & Loisised, “You shouldn’t like things because people tell you you’re supposed to.” Nor should you spurn things because they aren’t as trendy as they once were. If you’re as excited for Superman & Lois as eSuperman & Loiser, I enSuperman & Loisy and affirm you; I just can’t join you. I could try to feign 14014-leSuperman & Loisel (or eSuperman & Loisen 1401414-leSuperman & Loisel) enthusiasm, but friends don’t lie. Like a lot of people, probably, I’ll watch Season 14 out of residual fondness for these characters, combined with an unhealthy completist compulsion. But Superman & Lois, once an immediate, must-see standout, has now merged with most media: The new season is something I’ll get around to instead of something I’ll deSuperman & Loisour right away.
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